{"id":272,"date":"2022-02-28T00:00:00","date_gmt":"2022-02-28T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&p=272"},"modified":"2026-09-13T08:46:43","modified_gmt":"2026-09-13T08:46:43","slug":"bass-of-the-week-stambaugh-designs-retro-switcho","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-stambaugh-designs-retro-switcho","title":{"rendered":"Bass of the Week: Stambaugh Designs Retro Switcho"},"content":{"rendered":"

\"Stambaugh<\/p>\n

Bob Kowal wrote to us to share a wild piece of his imagination that came to life thanks to luthier Chris Stambaugh of Stambaugh Designs. The bass, called the \u201cRetro Switcho,\u201d couldn\u2019t have a better name. Its vintage orange finish and six \u2013 that\u2019s right six<\/em> \u2013 switches make for something that looks like it could be from The Jetsons. <\/p>\n

Stambaugh put a great writeup on the instrument on his website<\/a>:<\/p>\n

\u201cThis is an example of a build where the client came to me with a fully-realized vision; I was just along for the ride. At the time, I luckily had a connection for doing the custom machine etching in the pickguard and backplate. It\u2019s hard to say which detail draws the immediate focus of the viewer; the swarm of oval pickups or the incredibly unique body shape. Or maybe the wonderfully vivid finish, which was done with a pearlescent automotive urethane. The color of the finish moves with the light, which is why the bass appears in different shades in different photos. Three Delano P pickups were split to form six independently wired mini pickups, hence the inspiration for the name of the bass. The pickguard has two three-way switches to allow for various tonal possibilities. Close examination of the backplate reveals three holes that lead to hidden trim pots that adjust the EQ.\u201d<\/p>\n

The bass was built with an alder body, three-piece maple neck, and a Pau ferro fingerboard that\u2019s inlaid with white \u201crecon quartz\u201d block inlays. The fingerboard also has white binding and black side dot markers. Other features include Hipshot hardware, black anodized aluminum knobs, and an Audere preamp that was specially programmed for all the switching. Stambaugh gives a deeper dive into the switch functions.<\/p>\n

\u201cSix split PU halves divided into two banks; one bank for the E and A strings, the other bank for the D and G strings,\u201d he writes. \u201cEach switch is wired to select any single PU half in its bank. This allows nine \u201csingle split PU\u201d arrangements, which will run to the preamp as one PU. Normally these switches can only go \u2018A-AB-B\u2019 not \u2018A-B-C.\u2019\u201d<\/p>\n

Thanks to Bob Kowal for sharing!<\/p>\n

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Bob Kowal wrote to us to share a wild piece of his imagination that came to life thanks to luthier Chris Stambaugh of Stambaugh Designs. The bass, called the \u201cRetro Switcho,\u201d couldn\u2019t have a better\u2026<\/p>\n","protected":false},"featured_media":1262,"template":"","meta":[],"builder":[],"class_list":["post-272","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/272","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/1262"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=272"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=272"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}