{"id":364,"date":"2020-05-11T00:00:00","date_gmt":"2020-05-11T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&#038;p=364"},"modified":"2026-09-13T08:46:46","modified_gmt":"2026-09-13T08:46:46","slug":"bass-of-the-week-schonitz-gitarren-zett","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-schonitz-gitarren-zett","title":{"rendered":"Bass of the Week: Sch\u00f6nitz Gitarren Zett"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass.jpg?resize=1200%2C417&amp;ssl=1\" alt=\"Schonitz Gitarren Zett Bass\" width=\"1200\" height=\"417\" class=\"alignnone size-large wp-image-69178 img-fluid\"><\/p>\n<p>This week we\u2019re checking out the Sch\u00f6nitz Zett, a five-string acoustic bass guitar with some interesting build details. Luthier Jens Sch\u00f6nitz optimized the body for comfort and extra volume.<\/p>\n<p>\u201cMy basses are characterized by a modified rib detail in place of the traditional \u2018cutaway\u2019 in order to maximized on the volume of the body. This allows the musician to comfortably reach the 24th fret (second octave),\u201d the luthier explains. \u201cThe volume of the body allows for the development of lower frequencies. The construction of basses is designed to produce low tones in particular. In order to achieve these tones, the specific width of the ribs has been increased, the size of the soundhole has been reduced in order to deepen the resonance of the instrument body (the deepest resonance of the air capacity), and the soundhole has been moved to the left upper bow or in the rib.\u201d<\/p>\n<p>This Zett is built with cherry back and sides and a solid red cedar top, elegantly complemented by cocobolo binding. Sch\u00f6nitz continues the wood themes with a cherry neck topped with a pao ferro fingerboard with cocobolo and three-ply maple binding. Other features include a pao ferro bridge utilizing his free adjustable bridge saddle, a K&amp;K transducer pickup, and a soundhole in the upper left bow. <\/p>\n<div class=\"section\">\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-End-of-Fingerboard-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-Back-Angle-with-Sound-Hole-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-Back-Neck-Joint-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-Heel-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2020\/05\/Schonitz-Gitarren-Zett-Bass-Headstock-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-main -->    <\/p>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-nav -->  <\/div>\n<p><!-- .carousel-sync-wrap --><\/div>\n<p><!-- .section --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This week we\u2019re checking out the Sch\u00f6nitz Zett, a five-string acoustic bass guitar with some interesting build details. Luthier Jens Sch\u00f6nitz optimized the body for comfort and extra volume. \u201cMy basses are characterized by a\u2026<\/p>\n","protected":false},"featured_media":1467,"template":"","meta":[],"builder":[],"class_list":["post-364","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/364","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/1467"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=364"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=364"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}