{"id":418,"date":"2019-04-29T00:00:00","date_gmt":"2019-04-29T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&#038;p=418"},"modified":"2026-09-13T08:46:48","modified_gmt":"2026-09-13T08:46:48","slug":"bass-of-the-week-urbaniak-not-pear-003","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-urbaniak-not-pear-003","title":{"rendered":"Bass of the Week: Urbaniak Not Pear 003"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass.jpg?resize=1500%2C565&amp;ssl=1\" alt=\"Urbaniak Not Pear 003 Bass\" width=\"1500\" height=\"565\" class=\"alignnone size-large wp-image-61112 img-fluid\"><\/p>\n<p>It\u2019s always refreshing to see bass builders thinking outside the box. This week we\u2019ve got a great example of that with the Not Pear by Wes Urbaniak. The thin-bodied acoustic bass takes on a violin-esque shape, but every single Not Pear is different from the next. <\/p>\n<p>\u201cThey are all a little bit different on the outside because of the approach taken in the harvesting of wood,\u201d Urbaniak tells us. \u201cNearly all the wood has been salvaged from 100+ year old pianos, raw logs rotting upon the hills, dumpster finds, house demolitions, other instrument builds, etcetera.\u201d<\/p>\n<p>This example of the Not Pear is a fretless that features a body with ash back and sides that were saved from the sideboards of a 1922 piano. Its top is Scotch Pine, while the figured maple neck is topped with a wild looking fingerboard constructed from pau ferro, zebrawood, and figured maple. The Zebrawood, which Urbaniak kept from previous instrument builds, is also used for grafting and the bridge. Finally, the saddle and nut are constructed from ebony and padouk. <\/p>\n<p>The Not Pear is only made in limited quantities due to Urbaniak\u2019s schedule and the resources available. \u201cBeing a touring musician, only small handfuls of custom orders have been accepted while at home,\u201d he says. \u201cAs I have aged and my experimental experience with instruments has grown, it was decided to move into a small scale production model of 50 instruments a year with 3 builders on board;  25 or less being the Not Pear bass.\u201d<\/p>\n<div class=\"section\">\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Side-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Fingerboard-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Headstock-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Body-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2019\/04\/Urbaniak-Not-Pear-003-Bass-Back-of-Headstock-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-main -->    <\/p>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-nav -->  <\/div>\n<p><!-- .carousel-sync-wrap --><\/div>\n<p><!-- .section --><\/p>\n<p>Hear what Not Pear 003 sounds like in this clip:<\/p>\n<div class=\"embed-responsive embed-responsive-16by9\"><\/div>\n<div class=\"g-ytsubscribe\" data-channelid=\"UCuHKXHw5P891LFZOmrpFWEw\" data-layout=\"default\" data-count=\"default\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s always refreshing to see bass builders thinking outside the box. This week we\u2019ve got a great example of that with the Not Pear by Wes Urbaniak. The thin-bodied acoustic bass takes on a violin-esque\u2026<\/p>\n","protected":false},"featured_media":1582,"template":"","meta":[],"builder":[],"class_list":["post-418","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/418","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/1582"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=418"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=418"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}