{"id":538,"date":"2017-01-09T00:00:00","date_gmt":"2017-01-09T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&#038;p=538"},"modified":"2026-09-13T08:46:53","modified_gmt":"2026-09-13T08:46:53","slug":"bass-of-the-week-kanzian-traunsteiner-viennese-five-string-bass","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-kanzian-traunsteiner-viennese-five-string-bass","title":{"rendered":"Bass of the Week: Kanzian &#038; Traunsteiner Viennese Five-String Bass"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-300x450.jpg?resize=300%2C450\" alt=\"Kanzian &amp; Traunsteiner Viennese Five-String Bass\" width=\"300\" height=\"450\" class=\"alignleft size-medium-300 wp-image-47769 img-fluid\">As a double bass player, I love seeing old basses and wondering what stories they could tell. But I also love seeing the creation of new masterpieces, including this Kanzian &amp; Traunsteiner five-string bass. Alex Kanzian and Fabian Traunsteiner are luthiers based in Vienna, Austria that opened their own shop about five years ago. <\/p>\n<p>\u201cWe are both classically educated violin makers (and guitar makers) and took the quality level of violins to the double bass,\u201d Kanzian told us. \u201cWe work exclusively on basses, which was my dream since I was 16 years old. After returning to Austria [from studying in Italy] I discovered that a very special bass has not been made for ca. 200 years \u2013 the Viennese bass. So we decided to keep this tradition alive and go on building modern Viennese basses.  [Most of them have] five strings because I love the low B and also because Viennese basses were always built with five strings.\u201d<\/p>\n<p>Each bass they make is done entirely by hand, limiting their production to three or four master basses per year. \u201cThe rest of the time we restore old basses, at the moment a Johann Georg Leidolff and a Stadlmann as well as an Ignazio Ongaro Bass made in Venice 1770,\u201d he explains. \u201cThe old originals always teach something new.\u201d <\/p>\n<p>The Kanzian and Traunsteiner name will continue on, just like those beautiful antique basses they admire. \u201cThis bass has a brother instrument made from the same wood that was bought by the Wiener Symphoniker Orchestra and will hopefully stay with them in Vienna for ever,\u201d Kanzian says. \u201cThey love its powerful (and beautiful sounding) basses, with a G string that also has solo qualities.\u201d <\/p>\n<div class=\"section\">\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Body-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Fingerboard-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Rib-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Heel-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Head-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2017\/01\/Kanzian-Traunsteiner-Viennese-Five-String-Bass-Peg-Box-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-main -->    <\/p>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-nav -->  <\/div>\n<p><!-- .carousel-sync-wrap --><\/div>\n<p><!-- .section --><\/p>\n<div class=\"photo-caption\"><em>Photo Credit: \u00a9 Hans Leitner, Vienna<\/em><\/div>\n<h2>Kanzian &amp; Traunsteiner Viennese Five-String Bass Details:<\/h2>\n<div class=\"post-callout\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>As a double bass player, I love seeing old basses and wondering what stories they could tell. But I also love seeing the creation of new masterpieces, including this Kanzian &amp; Traunsteiner five-string bass. Alex\u2026<\/p>\n","protected":false},"featured_media":1818,"template":"","meta":[],"builder":[],"class_list":["post-538","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/1818"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=538"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}