{"id":594,"date":"2015-12-14T00:00:00","date_gmt":"2015-12-14T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&#038;p=594"},"modified":"2026-09-13T08:46:54","modified_gmt":"2026-09-13T08:46:54","slug":"bass-of-the-week-letts-basses-yves-carbonne-signature-2-string-bass","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-letts-basses-yves-carbonne-signature-2-string-bass","title":{"rendered":"Bass of the Week: Letts Basses Yves Carbonne Signature 2-String Bass"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2015\/12\/Letts-Basses-Yves-Carbonne-Signature-2-String-Bass-Left-620x348.jpg?resize=620%2C348\" alt=\"Letts Basses Yves Carbonne Signature 2-String Bass Left\" width=\"620\" height=\"348\" class=\"alignnone size-large wp-image-41499 img-fluid\"><\/p>\n<p>Many people know bassist <strong>Yves Carbonne<\/strong> for his incredible playing on extended range instruments with up to 12 strings. Most can enjoy the music, but some can\u2019t get past the number of strings on his bass. After musing online about the merits of how many strings a bass should have, Carbonne teamed up with luthier Jon Letts to create the YCII 2-string Bass.<\/p>\n<p>\u201cI\u2019ve been playing extended range basses for many years, and I got my first fretless 5-string with high C in 1982,\u201d he explains. \u201cTen years ago, I started to ask myself, \u2018How many strings do I really need for playing bass lines?\u2019 I see my 12-string instruments as full-range fretless guitars (8 octaves) in a bass guitar format. They are great tools I mainly use for creating my music. Most of the time, I get positive reactions on the internet about my music and the instruments I use. They are very encouraging for continuing what I\u2019m doing. I learned not to be too affected by negative comments [because] people have the limits of their own imagination. For some of them, what they call a \u2018real bass\u2019 has 4 strings \u2013 not more, not less \u2013 and it should never change.<\/p>\n<p>But why 4 strings? The first double basses had only 3 strings, and before them, bass stringed instruments with 6 or 7 seven strings were common. So I asked myself, \u2018How many strings do I need for playing bass and nothing else?\u2019 It does not mean doing this or that because everybody else is doing it like this or like that, it has to do only with me and my perceptions and the directions I want to take in music and art. And it makes sense for me that the answer is\u2026 2! I truly believe that a 2-string bass is enough for playing 95% of all the bass lines in all music styles.\u201d<\/p>\n<p>The single-cut bass features a mahogany core with black walnut laminates, a poplar burr top, and a mahogany one-piece bolt on neck with a black ebony fingerboard. \u201cIt has carved top and heavily carved ergonomic back,\u201d Letts shares. \u201cThe neck has extra space either side of the strings in order to achieve a familiar feel and also to add strength. The fingerboard has a light radius and jescar evo-gold 43080 fret wire.\u201d<\/p>\n<p>Carbonne has it tuned to E1 and A1, though he may experiment with other tunings. The two-string setup pushes him to be more creative, he says. \u201c[Another] reason for the 2-string is horizontal playing, something that most bassists never develop. Jaco was a master at horizontal playing and strangely this is an aspect of his playing that a lot of bassists don\u2019t really perceive. I think that creativity has to do with not being stuck in habits. I you always play the same instrument, you may develop your virtuosity by maybe not your creativity. Juggling from 2 to 4, 6, 8, 10 &amp; 12-string instruments forces me to focus more on music and creativity than on my licks.\u201d<\/p>\n<p>It also has tonal effects. \u201cWhile most people would question the need for a 2 string bass, Yves had his reasons for owning such an instrument. One reason is the response and tonal transparency that is achieved with such a thin neck,\u201d Letts says. Carbonne adds that the less strings you have on an instrument, the easier it is to get a clear sound due to less pressure on the instrument.<\/p>\n<div class=\"section\">\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2015\/12\/Letts-Basses-Yves-Carbonne-Signature-2-String-Bass-Body-Closeup-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2015\/12\/Letts-Basses-Yves-Carbonne-Signature-2-String-Bass-Headstock-Angle-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2015\/12\/Letts-Basses-Yves-Carbonne-Signature-2-String-Bass-Back-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2015\/12\/2-and-12-1000x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-main -->    <\/p>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-nav -->  <\/div>\n<p><!-- .carousel-sync-wrap --><\/div>\n<p><!-- .section --><\/p>\n<p>The bass is fitted with a pair of Letts neodymium single coil pickups matched to a custom Ben Woolley preamp. The controls include a push-pull active\/passive volume, blend, bass and treble boost\/cut. So how does it sound? Check out these clips that Carbonne recently uploaded:<\/p>\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\">\n<div class=\"embed-responsive embed-responsive-16by9\">              <\/div>\n<p><!-- .embed-responsive embed-responsive-16by9 -->    <\/div>\n<p><!-- .carousel-item -->    <\/p>\n<div class=\"carousel-item\">\n<div class=\"embed-responsive embed-responsive-16by9\">              <\/div>\n<p><!-- .embed-responsive embed-responsive-16by9 -->    <\/div>\n<p><!-- .carousel-item -->    <\/p>\n<div class=\"carousel-item\">\n<div class=\"embed-responsive embed-responsive-16by9\">              <\/div>\n<p><!-- .embed-responsive embed-responsive-16by9 -->    <\/div>\n<p><!-- .carousel-item --><\/div>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\">    <img decoding=\"async\" data-recalc-dims=\"1\" alt=\"Gallery Image\" class=\"img-fluid\" src=\"https:\/\/i0.wp.com\/img.youtube.com\/vi\/Reo5r-j0jS8\/mqdefault.jpg?ssl=1\">&lt;  <\/div>\n<p><!-- .carousel-item -->  <\/p>\n<div class=\"carousel-item\">    &lt;  <\/div>\n<p><!-- .carousel-item -->  <\/p>\n<div class=\"carousel-item\">    &lt;  <\/div>\n<p><!-- .carousel-item -->  <\/div>\n<p><!-- .carousel-gallery carousel-sync-main --><\/div>\n<p><!-- .carousel-sync-wrap --><\/p>\n<p>\u201cIt\u2019s challenging because it\u2019s a new instrument for me,\u201d Carbonne sums up. \u201cI need to find my way on it! I love it because it forces me to concentrate on my horizontal playing. The 2-string and the 12-string are opposed but necessary aspects of the same things: imagination. They are amazing tools for music!\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many people know bassist Yves Carbonne for his incredible playing on extended range instruments with up to 12 strings. Most can enjoy the music, but some can\u2019t get past the number of strings on his\u2026<\/p>\n","protected":false},"featured_media":1913,"template":"","meta":[],"builder":[],"class_list":["post-594","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/1913"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=594"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}