{"id":815,"date":"2011-09-15T00:00:00","date_gmt":"2011-09-15T00:00:00","guid":{"rendered":"https:\/\/bassoftheweek.com\/?post_type=bass&#038;p=815"},"modified":"2026-09-13T08:47:15","modified_gmt":"2026-09-13T08:47:15","slug":"bass-of-the-week-knuckle-guitar-works-quake-bass","status":"publish","type":"bass","link":"https:\/\/bassoftheweek.com\/?bass=bass-of-the-week-knuckle-guitar-works-quake-bass","title":{"rendered":"Bass of the Week: Knuckle Guitar Works Quake Bass"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" data-recalc-dims=\"1\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-01-main.jpg?resize=610%2C435\" alt=\"Knuckle Guitar Works Quake Bass\" title=\"Knuckle Guitar Works Quake Bass\" width=\"610\" height=\"435\" class=\"alignnone size-full wp-image-21013 img-fluid\"><\/p>\n<p>Bigger is better. At least that\u2019s the concept behind Knuckle Guitar Works\u2019 Quake, a massive 39.5\u2033 scale built-to-order bass. <\/p>\n<p>With the growing popularity of drop-tuning, bassists have to tune their strings down, which Knuckle explains harms tone by losing the upper transients. Seeing the need for better string response and tension, luthier Skip Fantry set out to create a bass to \u201csupport a specific note on a specific occasion,\u201d ultimately creating his company\u2019s flagship instrument. It\u2019s designed to play a natural whole step beneath a 35\u2033 scale instrument, but in standard tuning the Quake can use lighter string guages, thereby adding more harmonic content. <\/p>\n<p>As each Quake is custom made, many options are available \u2013 bolt on or neck through construction, fretted or fretless and number of strings. Though wood choice is up to the customer, Fantry encourages the use of domestic species for environmental reasons. <\/p>\n<p>\u201cThe primary wood in my necks is maple,\u201d he says, \u201cbut with the carbon that the necks contain it provides the option for the addition of other species \u2013 softer species that might not otherwise be up to the task.\u201d<\/p>\n<p>Fantry typically uses Hipshot Ultralight tuners, but has his own bridges. <\/p>\n<p>\u201cI am now using my own bridge hardware, but have always relied on individual string bridge assemblies on Quakes to allow custom string spreads,\u201d he says. \u201cOn basses with extreme gauges particularly I use a hybrid string spacing that straddles center-to-center and equal spacing \u2013 it feels more comfortable, more natural.\u201d <\/p>\n<p>Electronics vary for each bass, depending on what the buyer wants.<\/p>\n<p>The Knuckle Guitar Works Quake Bass begins at $2,750 for bolt-on construction and $3,750 for neck through. For more info, visit the <a href=\"http:\/\/www.knuckleguitarworks.com\/\">company\u2019s website<\/a>.<\/p>\n<h2>Knuckle Guitar Works Quake Bass Gallery:<\/h2>\n<div class=\"section\">\n<div class=\"carousel-sync-wrap\">\n<div class=\"carousel-gallery carousel-sync-main\">\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-02-blue-250x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-03.jpg?fit=156%2C519&amp;ssl=1\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-04-250x667.jpg\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-05-headstock.jpg?fit=400%2C509&amp;ssl=1\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.notreble.com\/wp-content\/uploads\/2011\/09\/quake-06-heal.jpg?fit=400%2C507&amp;ssl=1\" class=\"img-fluid\" alt=\"\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-main -->    <\/p>\n<div class=\"carousel-sync-nav\">\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item --><\/p>\n<div class=\"carousel-item\"><\/div>\n<p><!-- .carousel-item -->\n\t\t    <\/div>\n<p><!-- .carousel-sync-nav -->  <\/div>\n<p><!-- .carousel-sync-wrap --><\/div>\n<p><!-- .section --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bigger is better. At least that\u2019s the concept behind Knuckle Guitar Works\u2019 Quake, a massive 39.5\u2033 scale built-to-order bass. With the growing popularity of drop-tuning, bassists have to tune their strings down, which Knuckle explains\u2026<\/p>\n","protected":false},"featured_media":2288,"template":"","meta":[],"builder":[],"class_list":["post-815","bass","type-bass","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass\/815","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/bass"}],"about":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/types\/bass"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=\/wp\/v2\/media\/2288"}],"wp:attachment":[{"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=815"}],"wp:term":[{"taxonomy":"builder","embeddable":true,"href":"https:\/\/bassoftheweek.com\/index.php?rest_route=%2Fwp%2Fv2%2Fbuilder&post=815"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}